| RE: Complete bibliography of practitioned creative writings: thus far (2001-2009) |
[Oct. 31st, 2007|11:01 am] |
| [ | mood |
| |  refreshed | ] |
| [ | music |
| | "Write Your Name Backwards On My Face" - BIGSTRONGBRUTE | ] |
Here's a list of self-authored works, for which I've both submitted to publications and am -- to partiality of degrees -- rather proud of. (It aspires towards being suggestibly comprehensive.)
¶ Salad Days [short film script; 2006 - ?] [in progress]
¶ The People I Know... [A Cowboy Named Molasses Publishing self-production & distribution venture] [full-colour illustrated children's narrative/storybook collaboration, composed & designed with Liberty Browne; 2009] [in progress]
¶ Reinventing Coffee [novel manuscript; 2009 - 2010] [in progress] <>
¶ "T-Rex Electric" & The Territory Desert Roadshow [short-story] [in progress] <>
¶ The Palest Frontier [short-story] [in progress] <>
¶ A Brief Study of the Dissolute Properties of Comedy When You're Propelled Off Your Speeding Motorcycle Into A Sharp Asphalt Road, And Your Name is Takeshi Kitano [short-story] <> *TIN HOUSE* / *AGNI* / *THIRD COAST* / *VIRGINIA QUARTERLY REVIEW*
¶ Years of Viking Hospitality [short-story]
¶ "WQ" Magazine article commission <> "WQ" Magazine for the Queensland Writers' Centre
¶ Lonán Royce Greenish Goes Forth (Or: An Irish Western, for Readers of Japanese *Haibun*) [short-story / poetry / *haibun*] <> THE READER for the 2009 Emerging Writers' Festival
¶ "Red Leaves / 紅葉" #001: English-language / Japanese bi-lingual literary journal [A Cowboy Named Molasses Publishing self-production & distribution venture] [in progress] <>
¶ 2009 Emerging Writers' Festival -- Two Sides of the Same Coin debate: "Art Vs. Craft?" <>
¶ Suite of Haiku [poem suite] <> MASCARA LITERARY REVIEW
¶ Kirk Marshall's Literary Space: 2009 Emerging Writers' Festival special #1 <> LiteraryMinded
¶ 2009 Write In Your Face and Express Media / e(x)_m Grant application
¶ Carnivalesque, And: Other Stories [collection; 2006 - 2009] <> *BLACK RIDER PRESS*
¶ Ten Questions: Interview between Michaela Blassnig and Kirk Marshall <> [column] ISM: online
¶ Ten Questions: Interview between gowiiee and Kirk Marshall <> [column] ISM: online
¶ Opinion: Art and Censorship <> [column] ISM: online
¶ Word of Mouth: Darwin's 2009 Beer Can Regatta (Mindil Beach, Northern Territory, Australia) <> [column] ISM: online
¶ "Eat the Twin Superheated Flames of My Quasar Pistol, Bottomfeeders from Jupiter!" Or: Mork Shits In His Pants, While Toru Saves The Day <> *stop drop and roll* / *StoryQuarterly* / *CRAZYHORSE* / *NINTH LETTER* / *FIFTH WEDNESDAY JOURNAL*
¶ Moths [short-story] <>
¶ Validation [short-story] <> *stop drop and roll* / *harvest* magazine / *KILL YOUR DARLINGS*
¶ Navel-Gazer [short-story] <> RED LEAVES / 紅葉 (#001)
¶ Babe Rockerfeller (Or: A Canadian Gothic Lumberjack Romance) [short-story] <> *KILL YOUR DARLINGS*
¶ These Kids Today, David Foster Wallace, and A Reflection On Style -- With A Score by Beirut [analytic-theoretic dissertation / essay / creative non-fiction] <>
¶ Jacques Derrida's *Différance* and Salman Rushdie's "The Satanic Verses" [analytic-theoretic dissertation / essay]
¶ Mikhail Bakhtin's Theory of Carnival and Dialogic Discourse [analytic-theoretic dissertation / essay]
¶ Albert Camus' Acceptance Speech for the 1957 Nobel Prize in Literature, and George Orwell's "Why I Write" [analytic-theoretic dissertation / essay]
¶ Seminar Presentation on One Manifesto: Albert Camus Acceptance Speech for the 1957 Nobel Prize in Literature [analytic-theoretic dissertation / essay]
¶ Rationale for Seminar Paper: "The Death of the Orca" [analytic-theoretic rationale / micro-essay]
¶ Populism Through Polyphony?: The Literary Frame-Narrative as Voice of the People [analytic-theoretic dissertation / exegesis; first draft complete; second draft complete]
¶ Carnivalesque: A record of Efim B.B. Zaslavsky's Travelling Gypsy Caravan, Hippodrome and Greatest Exploration of the Profane in the Orient, & the last phantasmagoric pilgrimage through Hokkaido's mountain country [novella; first draft complete; second draft complete; third draft complete] *FEATHERPROOF BOOKS*
¶ The Accidental Terrorist [short-story / micro-fiction] <> COTTONMOUTH / COTTONMOUTH ANTHOLOGY
¶ Hangin' with Barack Obama [short-story / micro-fiction] <> THE DIAMOND & THE THIEF <>
¶ Soliloquy for one dead [Criminal Featherweight Remix] (licensed under a Creative Commons Attribution-Share Alike 2.5 Australia license) [short-story / micro-fiction] <> REMIX MY LIT & THROUGH THE CLOCK'S WORKINGS (SYDNEY UNIVERSITY PRESS)
¶ The Death of the Orca [short-story / micro-fiction] <> ONE TRICK PONY <>
¶ Fence: A Life [short-story / micro-fiction] <> *CUTWATER*
¶ Salinger's Funeral [short-story / micro-fiction; first draft complete; second draft complete; third draft complete] <> VOICEWORKS <> *OTHER TERRAIN: AN ELECTRONIC JOURNAL OF THE TEXTUAL* / *UNSAID*
¶ The Double Helix: Sex and Death [creative non-fiction / column] <>
¶ A Question of Submersion: a romance of deep-sea exploration at 130 feet [short-story] <> GOING DOWN SWINGING #28
¶ Progeny: A suburban fable [short-story] <> GOING DOWN SWINGING #27
¶ The Shared History of An Apologist and The High-Flier [short-story] <> *SubtleTea*
¶ The Artist, At Frankston and Lowe [short-story] <> dotdotdash magazine <> *OTHER TERRAIN: AN ELECTRONIC JOURNAL OF THE TEXTUAL*
¶ Reflections On A Not Ideal Childhood Idyll, And An Argument for Sociological Hermeticism [creative non-fiction] <>
¶ The Miraculous, Germane and Short-Lived Incident of Hammond Drinkwater, Human Theremin [short-story / micro-fiction] <>
¶ Canopy Theatre: The zoomorphic production [short-story / micro-fiction] EDIT RED WRITING COMMUNITY ONLINE <> *PEBBLE LAKE REVIEW* / *OTHER TERRAIN: AN ELECTRONIC JOURNAL OF THE TEXTUAL*
¶ One Thousand Songs of Umbrage and Ecstasy -- An oral free-verse fourteener: on poetics, and mature-age supremacy [prose poem, as composed in elaborate iambic heptameter] <>
¶ Homeward Return the Heartbroke: Stories & Fictions [collection; 2005 - 2007]
¶ Dispatches from the Underground, (Or: The Scandalous Saga of A Retrenched Australian *Übermensch*) [creative non-fiction]
¶ The Notorious Death of an Innocent Psychopath: A Greer Cabot story [short-story]
¶ A cursory musing on Okkervil River's "The Stage Names", OR: The Holy Loss of Faith [creative non-fiction / journalist feature article / column]
¶ Love Fashioned From Three Chambers of the Heart of a Turtle [short-story] <> *DREAMS THAT MONEY CAN BUY* / *MIRANDA MAGAZINE* / *THE PLUM RUBY REVIEW* / *why vandalism?*
¶ Squid Story [short-story] WORD RIOT <>
¶ Three Reasons Why Japan Now Reminds Me of Okkervil River [journalistic feature article / creative non-fiction]
¶ Wherefore Upon the High Sea's Many Girts We Were Taken By Storm, Or: The Time Tuvalu Came To Stay [short-story] DEAKIN UNIVERSITY PORTFOLIO
¶ Dispatches from the Underground, (Or: Gifts of listless bliss furnishing some gaijin Christmas) [creative non-fiction]
¶ A Time for Cigarettes and Vigilance: A Furphy Benjamin Dozer Mystery [biweekly online-serialised graphic novelette / storybook comic]
¶ A Solution to Economic Depression In Little Tokyo, 1953 [A Cowboy Named Molasses Publishing self-production & distribution venture] [illustrated graphic novelette, written by Kirk Marshall, and designed/illustrated by Liberty Browne] 2007 AUREALIS AWARD-NOMINEE / DEAKIN UNIVERSITY PORTFOLIO / A SOLUTION TO ECONOMIC DEPRESSION IN LITTLE TOKYO, 1953: A GRAPHIC MISCELLANY
¶ Crap Fable: A subjectified & discursive analysis of "Cat's Cradle" (1963) <> ROUSTABOUT Sydney-funded online magazine/e-zine
¶ We get out sometimes: A story poem, in many parts (chapters i – ix) [prose poem] A SOLUTION TO ECONOMIC DEPRESSION IN LITTLE TOKYO, 1953: A GRAPHIC MISCELLANY
¶ His Most Dire Rival: A stand-alone comic narrative devised by the creators of "Positive Affirmation Man" [written by Kirk Marshall & Greg Merlo, edited by Roy Morris, & illustrated by Michaela Blassnig] A SOLUTION TO ECONOMIC DEPRESSION IN LITTLE TOKYO, 1953: A GRAPHIC MISCELLANY
¶ Marshall Law: A current-world bi-weekly taxonomy of alphabetised annoyance [written by Kirk Marshall & Benjamin Law; excerpt / aborted]
¶ So it goes: A Personalised Obituary for Kurt Vonnegut, Jr., Scion to God the Utterly Indifferent, Or: So Long, And Thanks For All the Trout [column]
¶ Watch Every Drop: A community service announcement composed for those who survived the Fall [short-story / micro-fiction] <> UNDERGROWTH
¶ Another Year Lamented [column] <> ROUSTABOUT Sydney-funded online magazine/e-zine
¶ Kerouac Urges You: Be Wild, Undisciplined & Crazy [column] <> ROUSTABOUT Sydney-funded online magazine/e-zine
¶ Tristesse & Sublimity: Linguistic Correspondences of Your Houseguest, An Assiduous Wastrel [column]
¶ Inaccurate Senryu and/or Ditty for the Seredipitous Validation of Tomorrow's Sunrise, part 2 [poem]
¶ A question posed me via a Canadian firwood tree, part 3 [creative non-fiction]
¶ Untitled / *The Heart Is A Lonely Hunter* [poem]
¶ Untitled / The swill of hot sweet sake cradled in hand, the Jack London-esque longing for that beloved land [poem]
¶ I’ve never known such real-life evocations of my unvoiced dreamings. [excerpt]
¶ Untitled / Sunset on Ueno Park [excerpt]
¶ There’s this cleft below my rib perfect for a chin to rest, & yet still no head on my chest [poem]
¶ Nights with Kitsune [poem]
¶ Sergei Vitazshki, Deuce Ace Machina: A phantasmagoria of love and ennui, tennis, fabulism & ostensible time-travel [short-story] *42opus*
¶ Over Milk Wood: A story of verse as told in snatches of remembering [short-story] *BloodLotus*
¶ Cherry Blossoms On Her Red Tongue, Neon In Her Eyes: A fable dedicated to Liberty Browne as told in verse [illustrated children’s novella]
¶ Vassal in vision-flanno teasing the gristle out of the marrow of a grackle while in prison shackles [poem]
¶ The Limit of Shunt [short-story / chapbook] <> UNIVERSITY OF QUEENSLAND PORTFOLIO / A SOLUTION TO ECONOMIC DEPRESSION IN LITTLE TOKYO, 1953: A GRAPHIC MISCELLANY
¶ The Old Rhyme of the Anikuk Tree and The Fourteen Tklfut Warriors [short-story / prose-as-narration for Brisbane-based The Wilderness Society Defender Campaigner Team Weekly Update Meeting: Tuesday, 15th August] <> A SOLUTION TO ECONOMIC DEPRESSION IN LITTLE TOKYO, 1953: A GRAPHIC MISCELLANY / COTTONMOUTH <> *SNORKEL*
¶ Fluttering down the Mississip on a ten-pylon raft, free birds making their Spanish forest song [poem]
¶ Four ruminative green treefrogs outta five [journalistic feature article / micro-creative non-fiction] <> JJJ RADIO STATION ONLINE MUSIC REVIEWS
¶ The Wilderness Society: Friday, 23rd June Wild Rivers Act Rally / Demonstration Narration [literary prose-as-narration for Brisbane-based The Wilderness Society Defender Campaigner Team rally] <>
¶ Empty afternoons playing the darker scales on Mimmy’s grand piano, waiting for a girl (oh Kirk) [poem]
¶ The Clifford Notes of Love: A meditation on the tragedy that befell me [creative non-fiction novella / chapbook] <> UNIVERSITY OF QUEENSLAND PORTFOLIO
¶ It’s art when you paint more than one triangle, Euclid, Or: Interrogating Daniel Clowes’ Work [creative non-fiction]
¶ Red Stoplight & City Wild: Stories [collection]
¶ Questions posed me via a Canadian firwood tree, part 2 [creative non-fiction]
¶ Some Forgotten Colours: A story of love-loss, quarter-life crises & other silly things ~ short-story predecessor <> ROUSTABOUT Sydney-funded online magazine/e-zine | SEVEN LETTER WORDS <>
¶ Somnambulist sacristy of bombast and seeded misery [poem]
¶ How we do abuse time, that it must be an animal whimpering and milquetoast [poem]
¶ Strange fruit hanging from the poplar trees [poem]
¶ Striving for Nonchalance: An It-Boy’s True Revelations On How to Get Noticed [journalistic feature article / creative non-fiction] <> FRANKIE MAGAZINE COMMISSION
¶ Sinuous sensuous candlelight, seducing with sibilance by the sultry flicker of eclipse, my lover [poem]
¶ Inaccurate Senryu and/or Ditty for the Serendipitous Validation of Tomorrow’s Sunrise [poem]
¶ Those whom impede madness with strictures of sanity are conceding its power [poem]
¶ Questions posed me via a Canadian firwood tree, part 1 [creative non-fiction]
¶ she brings me a parcel of oranges before removing her heart-shaped shades [poem]
¶ To be born, an issue of depressing choice [micro-fiction] <> SEMPER FLOREAT
¶ A sentimental treasury of life-won gifts, as told by Surfball T. Jones, before the accident [poem]
¶ Day Without Rapture, or What It Is Like To Be Here In Solitude: A definition by verse [poem]
¶ Untitled / Ferris Plastibang [micro-fiction]
¶ Untitled / Rococo Jarmusch [micro-fiction]
¶ the soothsaying epistemology of gazing at her waist [micro-fiction]
¶ What It Means To Campaign for the Environment: an Endlessly Enrichening Adventure, by Kirk: Doorstep Encounter #47 – The Artifice of Approaching The Hippy [comic]
¶ Death to Rebellion!: A Greer Cabot Story [short-story]
¶ Beneath A Pollen-Swept Sky: The thylacine’s story, and an allegory for the indigenous voice ~ short-story predecessor <> SKETCH: LITERARY & DESIGN JOURNAL <>*THYLAZINE* / *KILL YOUR DARLINGS*
¶ Dirty Diamonds: A subjective discographic expose on Brisbane band The Clubs [journalistic feature article / expose] <>
¶ "Autumn" (as excerpted from fictionalised omnibus of novellas entitled "Five Seasons"): Project Proposal for A contemporised Western <>
¶ If I had a bag on my head… : A meditative oral presentation <>
¶ Dirty Laundry [column; incomplete]
¶ Hounding the City of Highways: An illustrated story for big kids [excerpt]
¶ Wetting the Cement: A satire on our new damp future [short-story] <> UNIVERSITY OF QUEENSLAND PORTFOLIO <> REGAL 8 // SHELF 8
¶ No Dice: A Brisbane novella <> SKETCH: LITERARY & DESIGN JOURNAL
¶ much fun to be had at humanity’s favourite beach [literary fiction] <> UNIVERSITY OF QUEENSLAND PORTFOLIO / VOICEWORKS [achieved second-round consideration for 2007 edition] / DEAKIN UNIVERSITY'S VERANDAH #23
¶ Wonder and Whisky Sour Off Tapachula Bay: A magic realist fable [short-story] <> OTOLITHS <> *NOT DROWNING, WAVING* / *BANDITO*
¶ French *Auteurism* and Akira Kurosawa: Exposing Issues of Japan’s National Identity and the Art of the *Bushido* Through His Work [academic/theoretic essay]
¶ The Ferry Quick Like Rain: An insect tragicomedy [short-story]
¶ Dreamtown: A literary meditation on our subconscious self [creative non-fiction]
¶ Transient Love the Ticket to Ride [feature article] <>
¶ The Kangaroo Point Cherry Bomb Massacres: The Online ‘Bloggers’ Diaries of Oasis Mildsauce + fictitious letter <> THE FLASHER
¶ Some Forgotten Colours: Being a semi-biographic account of love-loss, quarter-life angst & other silly things [indie feature film screenplay excerpt]
¶ Cinema by Convenience <> QUT ANTHOLOGY 2005
¶ Red Is Best <>
¶ The Cobblin’ Gobblin <>
¶ Trendsurfing: A Beginner’s Guide <> URBAN VERVE
¶ Kill the Flaccid: A Gonzo Sexual History <> SLEEPERS [achieved second-round consideration for Almanac] / UNIVERSITY OF QUEENSLAND PORTFOLIO
¶ Band Is Brisbane’s Denvar Nugget [journalistic feature article] <>
¶ American Political Craziness IV: Blood Skull’s Revenge <>
¶ Leaving Dewey Samtown: A contemplation on personal love <>
¶ Beauty’s In The Eye… <> UTOPIA
¶ Windows On My Mind <> UTOPIA
¶ And Procrastinate Rhymes With… <> UTOPIA
¶ Disorientation Week [column] <> UTOPIA
¶ Hunter S. Thompson: A Retrospective [column] <> UTOPIA
¶ The Trilogy That Gay Forgot [column] <> UTOPIA
¶ Week With Bukowski [column] <> UTOPIA
¶ The Last Great Curry [column] + The Patented "How-To-Curry-Favour-With-Kirk" Saturday Evening Event Questionnaire [fictitious survey] <> UTOPIA
¶ Get Behind Me, Photoshop [column] <> UTOPIA
¶ Next Time (She makes tomorrows) [song lyric]
¶ Romance Breath (You Piece of Shit) [song lyric]
¶ Mistah Duke, He Dead: An Obituary for Hunter S. Thompson [column] <>
¶ Oscar Omissions 2005 [column] <>
¶ Understanding Jack’s Plight: A Review of Alexander Payne’s "Sideways" [review / feature article] <> THE SLOW REVIEW
¶ Good Luck, Stevezie: A Review of Wes Anderson’s "The Life Aquatic, With Steve Zissou" [review / feature article]?
¶ High & Beautiful: The Sane Person’s Column for Coping With the Demands of the New Century [column]
¶ About 8 [The Phenomenon | We Don’t Care Either] [indie "mockumentary" feature film screenplay, written by Kirk Marshall, and co-authored by Gerard Lawrence & Scott Petrie]
¶ The Tale of the Catpurse of Candystripe Heights: A bedtime story [short-story]
¶ Itty Bitty Brisvegas [short-story] <> THE UNIVERSE OF LOGICAL UNSANITY QUARTERLY
¶ Rabbits As Men [short-story] <>
¶ Over Yonder Hill [short-story] *SLOW TRAINS* / *DOGMATIKA* / *STRAIGHT FROM THE FRIDGE*
¶ Holy Smoke: A JD Llewellyn Mystery + further J.D. Llewellyn manuscript-in-progress writings, in green scrapbook <>
¶ L’estranger dans le comic: Or, The Silly Misadventures of Wunderkid Jeff and Dazzle, the Spider Monkey of Mateship [illustrated short-story / graphic novella] <>
¶ Charge on Forest City [illustrated "Dullism" children’s novella] <>
¶ Untitled / Fenton Churches [micro-fiction]
¶ Unsung Walk-Ons: A novella suitable for both children and adults, though not for consumption [children's novella / excerpt]
¶ One Foot in Rock History, One Foot in the Dinghy [illustrated chapbook to accompany indie "mockumentary" feature film screenplay, written by Kirk Marshall & Gerard Lawrence] <>
¶ Lettuce Roll Onwards [short film script] <>
¶ Mystery White Boy: The Last Australian Performance of Jeff Buckley [short documentary film script] <>
¶ Dullism: The Newer Establishment [short pseudo-documentary / "mockumentary" film script] <>
¶ To Brisvegas, With Love [short film screenplay] <> UNIVERSITY OF QUEENSLAND PORTFOLIO
¶ The Demented Pears of Eternity: A Greer Cabot Story <> ROUSTABOUT Sydney-funded online magazine/e-zine <>
¶ Grown-Up Cuisine, Bella Donna? <> THE ZOETROPE VIRTUAL STUDIO / OTHER TERRAIN: AN ELECTRONIC JOURNAL OF THE TEXTUAL <>
¶ Wafflington Street <> SEMPER FLOREAT / DEAKIN UNIVERSITY'S DeSCRIBE LITERARY & WRITING GROUP / COTTONMOUTH
¶ Gridlocked On the M1 of Your Soul [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Cunnilingus For The Soul [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Tia Maria Sunset [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Kujo: He Left Before We Became Famous [song lyric to accompany indie "mockumentary" feature film screenplay, written by Kirk Marshall & Peter "Crackers" McNulty]
¶ Dolphins Aren't Fish [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Punany, The Fifth Food Group [song lyric to accompany indie "mockumentary" feature film screenplay, written by Kirk Marshall & Scott Petrie]
¶ The Journey To CommoLand [song lyric to accompany indie "mockumentary" feature film screenplay, written by Kirk Marshall & Ryan Sim]
¶ We ; Use ! Unnecessary : Punctuation [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ This One's For Mandella [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ This Guy With Depressing Hair [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ The Spunk Punk Wants You In His Pants [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ The Eagle Flies For You, Beloved [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Say Hello, Sextantric Lust Dugong [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Psychedelic Kung-Fu Grungemasters [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Pour Mon Amant (Le Mal Du Mond) [song lyric to accompany indie "mockumentary" feature film screenplay, written by Gerard Lawrence & Kirk Marshall]
¶ Lick My Asshole It's Tuesday [song lyric to accompany indie "mockumentary" feature film screenplay, written by Kirk Marshall & Costas Constantinou]
¶ I've Got Soy Sauce On My Hands (And I Don't Like It) [song lyric to accompany indie "mockumentary" feature film screenplay, written by Kirk Marshall & Ryan Sim]
¶ It Rains Tunafish (Whenever You Are Near) [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ I Am Aquaman, Diving Into Your Genepool [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Harvest My Plantation of Baby-Makin' [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Enter the Rebel Factory [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Chinese Takeaway Vertical Style [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Another Guy [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Anarchy, Astronauts and Iguana Soup [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ 30,000 Odd Ft. of Funk [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Call Me Zeus (I Come With A Thunder) [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Bad With Girls, Good With Toast [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ I'm Yodelling For Your Attention [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Sitting In a Dinghy (On the Choppy Waters of Your Heart) [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Sore Thighs [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ I'm No Drunken Lout [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ His Fingers Slipped (And I Liked It) [song lyric to accompany indie "mockumentary" feature film screenplay, written by Kirk Marshall & Gerard Lawrence]
¶ Frosty Nights Make Me Small [song lyric to accompany indie "mockumentary" feature film screenplay, written by Kirk Marshall & Adam Jackson]
¶ She's A Butterfly Mistress of Funktastic Proportions [song lyric to accompany indie "mockumentary" feature film screenplay]
¶ Train of Love [song lyric to accompany indie "mockumentary" feature film screenplay, written by Kirk Marshall, Gerard Lawrence, Scott Petrie & Anthony Lawrence]
¶ No Sunshine When You’re Gone <> VOICEWORKS [achieved second-round consideration for 2007 edition] / THE DEATH MOOK (PUBLISHED BY VIGNETTE PRESS)
¶ A Note On the Piano [short-story] <> ST. LAURENCES COLLEGE ANNUAL PUBLICATION 2002
¶ Smokin’ the Peace Pipe O’ Freedom [short-story / micro-fiction] WORD RIOT <>
¶ Our Piffling Little Hope [short-story]
¶ The Musings of An Average Working-Class Male [short-story] <>
¶ The Irish Inquirer [short-story] THE AUSTRALIAN NATIONAL UNIVERSITY'S "BLOCK" LITERARY JOURNAL
¶ Amusement Without Tears: An exercise in Drabble writing [micro-fiction] COTTONMOUTH <>
¶ The Gray Zone: Pilot Script [pilot television script]
¶ Melbourne "Politics and Power" Forum Essay [op.-ed essay] FORUM SCHOLARSHIP WINNER 2002
¶ Dullism Manifesto Pamphlet [fictitious art movement treatise] QCA SELF-PUBLICATION
¶ The Adventures of Baskin & Robbins [short film script]
¶ From Goodwill to Camelot [pilot television script]
¶ With Ghunns Blazing: Book Three in the Somewhere Near Quissia Chronicles [novel; incomplete]
¶ Attila the Pun [playscript]
¶ Great Balls of Fuhrer: Book Two in the Somewhere Near Quissia Chronicles [novel]
¶ Religious article. <> LAUDES DEO MAGAZINE
¶ Trojan Troubles (a.k.a. Trojan Horse) [short-story] <> YOUNG BRISBANE KIDS WRITE WINNER 2000
¶ Life’s A Vixen: Book One in the Somewhere Near Quissia Chronicles [novel]
¶ The Unsung Cowards [novel; incomplete]
Relevant practitioned creative writing biography:
Kirk Marshall is a Brisbane-born(e) writer, freelance illustrator, independent filmmaker, and mobilized environmentalist relocated to Melbourne by way of Kanagawa-ken.
Born English by bloodline, Irish by genealogy, and Japanese by social synergy, he has written for Queensland's Laudes Deo magazine; QUT's underground Riff-Raff 'zine; Amazon.co.uk's reviews; JJJ Radio Station's online music reviews; The Zoetrope Virtual Studio; 2002 St. Laurences College Annual publication; The University of Melbourne's Politics and Power 2002 Essay-Writing Forum; Deakin University's DeScribe Writing Group open mic. performances; Sketch: Literary & Design Journal's open mic. performances; The Death Mook's reading salon; Going Down Swinging #28 launch performances; Brisbane band Denvar's Work.Sleep.Die EP promotion feature article; Brisbane band The Clubs' prospective Out With the Truth EP album-leaf content; Utopia; Urban Verve; Frankie; Semper Floreat; Roustabout; Edit Red; Undergrowth; Word Riot (February, 2008); Word Riot (July, 2008); The Flasher; The Slow Review; Other Terrain: an electronic journal of the textual; Cottonmouth (May, 2008); Cottonmouth (July, 2008); Cottonmouth (September, 2008); Cottonmouth (May, 2009); Verandah #23; ThreeThousand; Sketch: Literary & Design Journal (November, 2008); Sketch: Literary & Design Journal (November, 2009); Remix My Lit; Going Down Swinging #27; Going Down Swinging #28; BLOCK #7 (ANU Writers Literary Journal); Voiceworks; The Universe of Logical Unsanity quarterly; Otoliths; LiteraryMinded; Regal 8 // Shelf 8; The Diamond & the Thief; WritingQueensland Magazine; Seven Letter Words; 3:AM Magazine; dotdotdash magazine; Mascara Literary Review; ISM: online; the short-story anthologies before the young get eaten, The Death Mook (published by Vignette Press), One Trick Pony, Through the Clock's Workings (published by Sydney University Press), The Reader for the 2009 Emerging Writers' Festival, and the Cottonmouth Anthology; The Wilderness Society's 2006 SEQ Wild Rivers legislation protest spoken-word performances, and he was the first-prize recipient of the Brisbane Short-Story Competition for youth under the age of 17 in 2000.
Kirk has also been the first-prize recipient for the St. Laurences College Library Collection Literary Competition 2002 and The Children’s Book Council of Australia Awards Foundation/Roman Printing Prize 2002, & in 2005 he completed directorial production on a pennystring-budget mockumentary feature film, lauding the surrealistic theatrics of a make-believe Australian boy-band, entitled About 8, promoted by Prodany Entertainment.
As of composing this most prescient potted biography, Kirk has finalised publication and distribution release of a full-colour illustrated graphic novelette, the 2007 Aurealis-Award nominee, A Solution to Economic Depression in Little Tokyo, 1953 available for purchase at various publishing outlets throughout Brisbane and Melbourne, to be reviewed by Scene entertainment magazine. As of November (2007), he was nationally shortlisted for an employed freelance journalist position with papertiger Media's Yen and Dazed & Confused magazines, and in June (2008), he was awarded a journalist internship with Right Angle Communications. Recently Kirk hosted a biweekly-serialised, online noir-cum-Dada comic about world-first Bogan Private Investigator, Furphy Benjamin Dozer, at his up-to-date web journal (fun_with_kites.)
Kirk was awarded a Bachelor of Creative Industries (Creative Writing) with Distinction from the Queensland University of Technology, a first-class Honours degree in Professional Writing from Deakin University, and has been invited by various indentured members of both Brisbane and Melbourne tertiary faculties to submit extensive proposals for research assistant and post-graduate degree positions within their campuses.
Returning from employment as an English-language conversation school teacher within Tokyo, Japan, in late 2007, he has resurfaced in Melbourne and now edits the forthcoming annual English-language / Japanese bi-lingual literary journal, Red Leaves / 紅葉. Since his return he has sat on the editorial judging committee for The Lifted Brow's Fake Bookshelf Competition, has been awarded acceptance as both a proofreader for Express Media's Voiceworks literary magazine and as a non-fiction columnist for ISM: online, has been a panelist for the 2009 Emerging Writers' Festival and the 2009 National Young Writers' Festival, and is responsible for renaming the Scrabble Event at the Emerging Writers' Festival to "Wordstock".
His Honours thesis (a combined analytic-theoretic dissertation and accompanying fiction novella) is entitled, "Carnivalesque", and demonstrates the narratological relationship between structure and literary parallax in frame-narrative literature. Carnivalesque: And, Other Stories, Kirk's debut short story collection will be published by Black Rider Press in 2010.
His developing canon of writings have been heralded as "absolutely brilliant", and he has been earmarked by one reviewer "to be Australia's Thomas Pynchon."
¶ Here, too, is my presently-activated & evolving Noise Initiative/Creative Community Artist Homepage, to extoll rightly upon you my struggling agent-free writer-boy status. Dandy. |
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